Subsidiary rights are a vital aspect of modern publishing, offering significant benefits in terms of revenue, reach, and brand development. For authors and publishers, effectively managing these rights can lead to greater success and sustainability in the competitive world of books. Understanding and leveraging subsidiary rights can transform a single publication into a multifaceted product with global appeal.
I think for many of us book lovers, book buying and actually reading said books are pretty much separate hobbies. And so this is for those who would like to build their own personal physical library, no matter how big or small, without breaking the bank.
Design feedback can be tricky for the inexperienced. Even if you’ve been giving design feedback for years, it can be hard to express the feelings you have about a piece without discouraging your colleagues—or to put into words intuitive or feeling-based critique.
Starting with a landmark legislation passed in Illinois in May 2023 (which went into effect January 2024), state officials have been putting forth bills to limit the ability to ban and censor library materials based on discriminatory and partisan principles.
From covers to interiors to collateral, InDesign is great for book designers, especially because it is a publishing industry standard. However, learning InDesign can be quite a task, especially if you are new to the industry. Here are some helpful InDesign tips that I have learned during my time at Ooligan Press.
Whether it’s fantastical worlds filled with gorgeous Fae or a war college of lethal dragon riders, book lovers can’t seem to stop sinking their canines into one of the most popular subgenres to date, romantasy. Following any popular book phenomenon, there are not only more wonderful stories for readers to enjoy, but the detrimental consequences of publishers trying to suck as much profit from this new subgenre as possible. Everyone’s trying to get their share of Romantasy before, or if ever, it bleeds out in the future.
As a team, we decided what we could design rather than making decisions from the top down, making sure that everyone’s opinions and ideas were considered. After great deliberation, we came up with designs that accurately captured our group’s imagination and vision, while also taking into consideration the novel, its themes, and thinking about our audience and what they would like as someone who would like this novel.
Queer literature has long been subjected to morality clauses, bans, and pathologizing narrative requirements. For the first time in history, publishers today are facing the expectation that they will have queer titles in their catalogs, lest they lose sales. Even in the face of a rise in book ban attempts, queer readers are being recognized as a valuable and essential market.
At Ooligan Press, we take branding seriously. We want everything we post to feel connected to the book, from the fonts we use to the colors that match the cover art. Having a consistent visual identity is key for helping readers easily recognize the book when they see it.
Book banning has been around for centuries, but bans have increased exponentially over the past several years. School libraries are being forced to restrict or remove books, and teachers are having to remove books from their classrooms and curriculum; some public libraries have even been forced to remove books from their shelves.